NOW EN ESPAÑOL | KLRN Staff Review

NOW EN ESPAÑOL tells the story of five hard-working women who dub “Desperate Housewives” for Spanish language audiences in the United States. Each of the women featured in the documentary are also trying to make a name for themselves while juggling life and its many setbacks.

“If there’s one thing we’ve learned is that if you want to be a leading lady you’ve better keep your sense of humor,” says Marabina Jaimes, who is the Spanish narrator of Desperate Housewives, and one of the women profiled in the documentary.

NOW EN ESPAÑOL is an interesting view of those chasing the Hollywood dream of becoming an actor. The women featured in the documentary try to break stereotypes, and avoid roles that are not true representations of their culture.

To watch NOW EN ESPAÑOL, visit our video player.

CHILDREN OF GIANT | KLRN Staff Review

CHILDREN OF GIANT features the making of GIANT, the 1956 film that took the small West Texas town of Marfa by storm. Film greats Elizabeth Taylor, Rock Hudson and James Dean, along with a Hollywood cast and crew invaded the town, and recruited locals, landmarks and issues to provide a multicultural landscape that was unseen in film during that time.

“It was a revisionist look of Texas,” said J.E. Smyth, author of Edna Ferber’s Hollywood: American Fictions of Gender, Race, and History.

GIANT changed the landscape in Marfa, both in the physical and the communal sense. Residents played bit roles in the film, and the town was bustling with excitement about the idea of having film stars and crew-members in their small town. As for the representation of Texas, it was still very much country western driven but tackled issues of race, gender and class.

Texas is described as “wind and dust, and blowing tumbleweeds,” which is a stark contrast of Elizabeth Taylor’s character Leslie’s socialite upbringing. However, Leslie is the character who questions the living conditions of the Mexican workers in the town. She also examined controversial topics such as feminism, and often participated in political discussions while openly expressing her opinion.

Director and producer George Stevens wanted to make a film that engaged people, and gained awareness of the current state of the world. A pivotal scene in the film was the Sarge’s Diner scene, which captured the experience of how Mexican Americans were depicted in that time. The film examined the color line in Texas, and featured the discrimination in the Southwest.

CHILDREN OF GIANT told a fascinating tale of a film that broke barriers, and examined issues that often were not discussed in the 1950s. With the talented trio of Taylor, Hudson and Dean (which was his last film as a leading actor due to his death) and the town of Marfa, GIANT was a film that left a lasting impression on viewers past and present.

To watch CHILDREN OF GIANT, visit our video player.