We held a panel discussion with notable local scholars Amelia Malagamba Ansótegui, Kathy Vargas and the film’s producer/director, Ray Telles as well as John Phillip Santos. John is an author, journalist and filmmaker from San Antonio, Texas. He produced more than 40 documentaries in 18 countries for CBS News and PBS. Currently, in conjunction with New York’s WNET, he is collaborating with Harvard scholar Davíd Carrasco in producing “Ancestral Journeys to Now,” a film for PBS that examines the mythic legacy of migration in ancient Mesoamerica, and its links to the experiences of Mexican migration today. He teaches cultural studies, writing and media theory and production in the Honors College of UTSA.
Thursday, September 17, 2015
John Phillip Santos Shares His Thoughts on "A Photographer's Journey"
We held a panel discussion with notable local scholars Amelia Malagamba Ansótegui, Kathy Vargas and the film’s producer/director, Ray Telles as well as John Phillip Santos. John is an author, journalist and filmmaker from San Antonio, Texas. He produced more than 40 documentaries in 18 countries for CBS News and PBS. Currently, in conjunction with New York’s WNET, he is collaborating with Harvard scholar Davíd Carrasco in producing “Ancestral Journeys to Now,” a film for PBS that examines the mythic legacy of migration in ancient Mesoamerica, and its links to the experiences of Mexican migration today. He teaches cultural studies, writing and media theory and production in the Honors College of UTSA.
Monday, June 8, 2015
Indep Arts & Film Festival | Interview with Ya'Ke Smith
KLRN is proud to support the upcoming Indep Arts & Film Festival taking place June 11-14, 2015. The
Indep Arts & Film Festival “is committed to supporting artists and
filmmakers in their abilities to create, inspire and share within our
community. By providing a space to celebrate the artists’ talents, we will
strive to enhance our community’s public awareness and appreciation of all
arts.”
Filmmaker and film professor at the University of Texas at
Arlington Ya’Ke Smith will participate in Indep’s Film Festival on Thursday,
June 11 from 6-10PM at Santikos Rialto.
Smith has received worldwide acclaim for his films which have screened
at over 80 film festivals. NPR called his debut feature, WOLF, “an impressive piece by a young director,” and his most recent short, dawn., premiered on HBO in February 2015.
Labels:
Indep Arts & Film Festival,
Interview,
Ya'Ke Smith
Friday, May 1, 2015
EL POETA | Program Review
A Mexican Poet’s Crusade for Justice
By Gregg Barrios
The work of Mexican writer Javier Sicilia was little known
outside of his country although his prize-winning poetry and his fearless work
as a political analyst for Proceso, Mexico’s weekly political magazine are must
reading. But four years ago, Sicilia came to international attention when his 24-year-old
son Juan Francisco became an innocent victim of Mexico’s drug wars. The younger
Sicilia along with six other friends were bound and gagged with duct tape. They
died of asphyxiation.
At a press conference, Sicilia told the New York Times: “What my son did was give a
name and a face to the 40,000 dead. My pain gave a face to the pain of other
families. I think a country is like a house, and the destruction of someone is
the destruction of our families.”
All along Sicilia had been reporting on the growing number
of innocent casualties after the U.S. backed President Felipe Calderón’s 2006
war on drugs that employed military force to capture or kill cartel
leaders. In a face-to-face exchange
Sicilia requested that the Mexican president ask pardon from the nation for the
lost lives of innocent victims. Calderón responded that if it hadn’t been for
his war against the drug cartels the real criminals, there would have been more
innocent deaths.
EL POETA on PBS’s Voces chronicles Sicilia’s formation of
an activist group (Movement for Peace with Justice and Dignity) that began as
protests in the capital city. It evolved into a nation-wide movement to unite
and inform the Mexican citizenry of the thousands of deaths related to
organized crime. Their rallying cry: “No mas sangre!” and “Estamos hasta la
madre.” (No more blood; We’re Up to Here!) At one point, Sicilia’s caravan mobilized
over 200,000 participants from Juarez, Chihuahua, Durango and Tijuana with
great success.
In 2012, Sicilia brought his peace caravan to the U.S. Los
Angeles Times journalist Rubén Martínez described it as “a mission to bring to
the American people's conscience their shared responsibility for the thousands of
dead, missing and displaced in the drug war. Among the broader
American public the drug war is perceived as Mexico's, not ours, never mind
that the weapons doing the bloodletting are in great part supplied by the
United States.”
In Los Angeles, the group held photocopies of their loved
ones. In Phoenix, they visited Sheriff Joe Arpaio's
infamous Tent City in order to denounce the
failed War on Drugs which has claimed tens of thousands of innocent
lives in Mexico. In D.C., Black civil rights leader John Lewis inspires them by
citing the non-violent marches of Dr. Martin Luther King. In Baltimore, Black
mothers embrace Mexican mothers both losing sons to the drug wars.
The Mexican government’s war on drug cartels continues as
the body count of innocent victims escalates: 160,000 dead, 30,000 missing, nearly
500,000 displaced and the same 98% of impunity as the previous regime.
In late 2014, forty-three students disappeared in Ayotzinapa
without a trace. This led to massive disruptions and demonstrations throughout
Mexico and a call for sitting President Enrique Peña Nieto’s resignation. The
film is dedicated to those missing students.
In his final poem, dedicated to his son, Sicilia wrote: “The world is not worthy of
worthy of the Word / they suffocated it, deep inside us /as they suffocated you, as
they tore apart your lungs ... / the pain does not leave me /all that remains is a world
/ through
the silence of the righteous, / only through your silence / and my silence, Juanelo.”
Sicilia’s voice has not been silenced. He continues
to speak out in a clear, elegant voice of engagement. As the American writer
Flannery O’Connor once wrote, “To the hard of hearing you shout, and for the
almost blind, you draw large and startling pictures.”
EL POETA is necessary viewing. It will enlighten,
as it will inform you. Bless Javier Sicilia!
Gregg Barrios is a poet, playwright and journalist. He is a 2013
USC Annenberg Getty Fellow. He serves on the board of directors of the National
Book Critics Circle.
EL POETA airs on Friday, May 1 at 10PM on KLRN. To watch a preview of EL POETA, visit our video player.
Labels:
el poeta,
guest review,
voces
Friday, April 24, 2015
NOW EN ESPAÑOL | KLRN Staff Review
“If there’s one thing we’ve learned is that if you want to be a leading lady you’ve better keep your sense of humor,” says Marabina Jaimes, who is the Spanish narrator of Desperate Housewives, and one of the women profiled in the documentary.
NOW EN ESPAÑOL is an interesting view of those chasing the Hollywood dream of becoming an actor. The women featured in the documentary try to break stereotypes, and avoid roles that are not true representations of their culture.
To watch NOW EN ESPAÑOL, visit our video player.
Labels:
now en espanol,
staff review,
voces
Friday, April 17, 2015
CHILDREN OF GIANT | KLRN Staff Review
CHILDREN OF GIANT features the making of GIANT, the 1956
film that took the small West Texas town of Marfa by storm. Film greats Elizabeth
Taylor, Rock Hudson and James Dean, along with a Hollywood cast and crew
invaded the town, and recruited locals, landmarks and issues to provide a
multicultural landscape that was unseen in film during that time.
“It was a revisionist look of Texas,” said J.E. Smyth,
author of Edna Ferber’s Hollywood:
American Fictions of Gender, Race, and History.
GIANT changed the landscape in Marfa, both in the
physical and the communal sense. Residents played bit roles in the film, and
the town was bustling with excitement about the idea of having film stars and
crew-members in their small town. As for the representation of Texas, it was
still very much country western driven but tackled issues of race, gender and
class.
Texas is described as “wind and dust, and blowing
tumbleweeds,” which is a stark contrast of Elizabeth Taylor’s character Leslie’s socialite upbringing. However, Leslie is the character who questions the living
conditions of the Mexican workers in the town. She also examined controversial
topics such as feminism, and often participated in political discussions while
openly expressing her opinion.
Director and producer George Stevens wanted to make a
film that engaged people, and gained awareness of the current state of the
world. A pivotal scene in the film was the Sarge’s Diner scene, which captured
the experience of how Mexican Americans were depicted in that time. The film
examined the color line in Texas, and featured the discrimination in the
Southwest.
CHILDREN OF GIANT told a fascinating tale of a film that
broke barriers, and examined issues that often were not discussed in the
1950s. With the talented trio of Taylor, Hudson and Dean (which was his last
film as a leading actor due to his death) and the town of Marfa, GIANT was a
film that left a lasting impression on viewers past and present.
Labels:
children of giant,
staff review,
voces
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