Thursday, September 17, 2015

John Phillip Santos Shares His Thoughts on "A Photographer's Journey"

This week KLRN hosted a film screening and panel discussion for the film, Pedro E. Guerrero: A Photographer’s Journey. The film captures the remarkable life and work of Pedro E. Guerrero (1917-2012). He left behind thousands of photographs and nearly 15 hours of interviews. This film tells, in his words, the remarkable story of a Mexican American boy raised in segregated Mesa, Arizona, who goes on to a remarkable international career. With his outsider’s eye he produced insightful and iconic portraits of three of the most important artists of the 20th century: Frank Lloyd Wright, Alexander Calder and Louise Nevelson.

We held a panel discussion with notable local scholars Amelia Malagamba Ansótegui, Kathy Vargas and the film’s producer/director, Ray Telles as well as John Phillip Santos. John is an author, journalist and filmmaker from San Antonio, Texas. He produced more than 40 documentaries in 18 countries for CBS News and PBS. Currently, in conjunction with New York’s WNET, he is collaborating with Harvard scholar Davíd Carrasco in producing “Ancestral Journeys to Now,” a film for PBS that examines the mythic legacy of migration in ancient Mesoamerica, and its links to the experiences of Mexican migration today. He teaches cultural studies, writing and media theory and production in the Honors College of UTSA.

Monday, June 8, 2015

Indep Arts & Film Festival | Interview with Ya'Ke Smith

KLRN is proud to support the upcoming Indep Arts & Film Festival taking place June 11-14, 2015. The Indep Arts & Film Festival “is committed to supporting artists and filmmakers in their abilities to create, inspire and share within our community. By providing a space to celebrate the artists’ talents, we will strive to enhance our community’s public awareness and appreciation of all arts.”

Filmmaker and film professor at the University of Texas at Arlington Ya’Ke Smith will participate in Indep’s Film Festival on Thursday, June 11 from 6-10PM at Santikos Rialto. Smith has received worldwide acclaim for his films which have screened at over 80 film festivals. NPR called his debut feature, WOLF, “an impressive piece by a young director,” and his most recent short, dawn., premiered on HBO in February 2015.   




Friday, May 1, 2015

EL POETA | Program Review

A Mexican Poet’s Crusade for Justice
By Gregg Barrios


The work of Mexican writer Javier Sicilia was little known outside of his country although his prize-winning poetry and his fearless work as a political analyst for Proceso, Mexico’s weekly political magazine are must reading. But four years ago, Sicilia came to international attention when his 24-year-old son Juan Francisco became an innocent victim of Mexico’s drug wars. The younger Sicilia along with six other friends were bound and gagged with duct tape. They died of asphyxiation.  

At a press conference, Sicilia told the New York Times: “What my son did was give a name and a face to the 40,000 dead. My pain gave a face to the pain of other families. I think a country is like a house, and the destruction of someone is the destruction of our families.”

All along Sicilia had been reporting on the growing number of innocent casualties after the U.S. backed President Felipe Calderón’s 2006 war on drugs that employed military force to capture or kill cartel leaders. In a face-to-face exchange Sicilia requested that the Mexican president ask pardon from the nation for the lost lives of innocent victims. Calderón responded that if it hadn’t been for his war against the drug cartels the real criminals, there would have been more innocent deaths.

EL POETA on PBS’s Voces chronicles Sicilia’s formation of an activist group (Movement for Peace with Justice and Dignity) that began as protests in the capital city. It evolved into a nation-wide movement to unite and inform the Mexican citizenry of the thousands of deaths related to organized crime. Their rallying cry: “No mas sangre!” and “Estamos hasta la madre.” (No more blood; We’re Up to Here!) At one point, Sicilia’s caravan mobilized over 200,000 participants from Juarez, Chihuahua, Durango and Tijuana with great success.

In 2012, Sicilia brought his peace caravan to the U.S. Los Angeles Times journalist Rubén Martínez described it as “a mission to bring to the American people's conscience their shared responsibility for the thousands of dead, missing and displaced in the drug war. Among the broader American public the drug war is perceived as Mexico's, not ours, never mind that the weapons doing the bloodletting are in great part supplied by the United States.”

In Los Angeles, the group held photocopies of their loved ones. In Phoenix, they visited Sheriff Joe Arpaio's infamous Tent City in order to denounce the failed War on Drugs which has claimed tens of thousands of innocent lives in Mexico. In D.C., Black civil rights leader John Lewis inspires them by citing the non-violent marches of Dr. Martin Luther King. In Baltimore, Black mothers embrace Mexican mothers both losing sons to the drug wars.

The Mexican government’s war on drug cartels continues as the body count of innocent victims escalates: 160,000 dead, 30,000 missing, nearly 500,000 displaced and the same 98% of impunity as the previous regime.

In late 2014, forty-three students disappeared in Ayotzinapa without a trace. This led to massive disruptions and demonstrations throughout Mexico and a call for sitting President Enrique Peña Nieto’s resignation. The film is dedicated to those missing students.

In his final poem, dedicated to his son, Sicilia wrote: “The world is not worthy of worthy of the Word / they suffocated it, deep inside us /as they suffocated you, as they tore apart your lungs ... / the pain does not leave me /all that remains is a world / through the silence of the righteous, / only through your silence / and my silence, Juanelo.”

Sicilia’s voice has not been silenced. He continues to speak out in a clear, elegant voice of engagement. As the American writer Flannery O’Connor once wrote, “To the hard of hearing you shout, and for the almost blind, you draw large and startling pictures.”

EL POETA is necessary viewing. It will enlighten, as it will inform you. Bless Javier Sicilia!


Gregg Barrios is a poet, playwright and journalist. He is a 2013 USC Annenberg Getty Fellow. He serves on the board of directors of the National Book Critics Circle.


EL POETA airs on Friday, May 1 at 10PM on KLRN. To watch a preview of EL POETA, visit our video player.

Friday, April 24, 2015

NOW EN ESPAÑOL | KLRN Staff Review



NOW EN ESPAÑOL tells the story of five hard-working women who dub “Desperate Housewives” for Spanish language audiences in the United States. Each of the women featured in the documentary are also trying to make a name for themselves while juggling life and its many setbacks.

“If there’s one thing we’ve learned is that if you want to be a leading lady you’ve better keep your sense of humor,” says Marabina Jaimes, who is the Spanish narrator of Desperate Housewives, and one of the women profiled in the documentary.

NOW EN ESPAÑOL is an interesting view of those chasing the Hollywood dream of becoming an actor. The women featured in the documentary try to break stereotypes, and avoid roles that are not true representations of their culture.

To watch NOW EN ESPAÑOL, visit our video player.

Friday, April 17, 2015

CHILDREN OF GIANT | KLRN Staff Review


CHILDREN OF GIANT features the making of GIANT, the 1956 film that took the small West Texas town of Marfa by storm. Film greats Elizabeth Taylor, Rock Hudson and James Dean, along with a Hollywood cast and crew invaded the town, and recruited locals, landmarks and issues to provide a multicultural landscape that was unseen in film during that time.

“It was a revisionist look of Texas,” said J.E. Smyth, author of Edna Ferber’s Hollywood: American Fictions of Gender, Race, and History.

GIANT changed the landscape in Marfa, both in the physical and the communal sense. Residents played bit roles in the film, and the town was bustling with excitement about the idea of having film stars and crew-members in their small town. As for the representation of Texas, it was still very much country western driven but tackled issues of race, gender and class.

Texas is described as “wind and dust, and blowing tumbleweeds,” which is a stark contrast of Elizabeth Taylor’s character Leslie’s socialite upbringing. However, Leslie is the character who questions the living conditions of the Mexican workers in the town. She also examined controversial topics such as feminism, and often participated in political discussions while openly expressing her opinion.

Director and producer George Stevens wanted to make a film that engaged people, and gained awareness of the current state of the world. A pivotal scene in the film was the Sarge’s Diner scene, which captured the experience of how Mexican Americans were depicted in that time. The film examined the color line in Texas, and featured the discrimination in the Southwest.

CHILDREN OF GIANT told a fascinating tale of a film that broke barriers, and examined issues that often were not discussed in the 1950s. With the talented trio of Taylor, Hudson and Dean (which was his last film as a leading actor due to his death) and the town of Marfa, GIANT was a film that left a lasting impression on viewers past and present.

To watch CHILDREN OF GIANT, visit our video player.